Bibliography

BIBLIOGRAPHY

Books

Elkins, J. (2002) Stories of art. New York: Routledge.

Chapter ‘Intuitive Stories’

Elkins, J. (2001) Why art cannot be taught: A handbook for art students. United States: University of Illinois Press. Extracts from Chapter 4 Critiques Pp 111-119#

Heartney, E. (2008) Art and Today, London. Phaidon Press.                                                  Chapter ‘Art & Nature and Technology’ particularly interesting/ relevant to me.p.169 quote ‘artiss today sound warnings about the arrogant privileging of human deserves over the wellbeing of the natural world.’ Defines Land Art, Eco Art, Bio Art.

Milner, M. (1950) On not being able to paint. London. Heinemann Educational

Chapters 1-2. Eminent psychoanalyst, using tools from psychoanalysis – diary writing, automatic writing and drawing as a new approach to image making. Offers insights into her process and reflections on her work, both immediate and with hig

James, N. (2010) Interviews – Artists: Recordings 2010. London. Cv/VAR Archive and Editions. Interviews with James Aldridge, Christiane Baumgartner and Langlands and Bell.

Ward, O. (2014) Ways of Looking: How to Experience Contemporary Art. London. Laurence King.                                                                                                                                                               Tabula rasa – method to approach contemporary art.

Weintraub, L. (2012) To life!: Eco art in pursuit of a sustainable planet. Berkeley, CA, United States: University of California Press.                                                                                       Introduction. Glossary of key terms relating to Eco art. Diagrams showing connections between artists who connect to Eco Art. Useful for researching artists and methodologies relating to Eco Art, very diverse range of practices and issues. Connection between artists, new technologies and socially engaged/ sustainable practice.

Websites

Bodies of water (2016) Available at: http://www.kaylaparker.co.uk/presentations/presentation/film_programme_bodies-of-water.html (Accessed: 1 November 2016).                                                                                       Kayla Parker, artist involved with Force 8

Council, B. (2008) MAP OF NOWHERE, Grayson Perry. Available at: http://visualarts.britishcouncil.org/collection/artists/perry-grayson-1960/object/map-of-nowhere-perry-2008-p8194 (Accessed: 16 January 2017).

Land/water and the visual arts. Available at: http://www.landwater-research.co.uk/home/ (Accessed: 9 November 2016).

Dion, Mark https://art21.org/watch/exclusive/mark-dion-herbarium-perrine-marine-algae-short/ (accessed 9 March 2017)

https://graphicstudiousf.wordpress.com/2015/04/30/mark-dion-and-graphicstudio/ (accessed 9 March 2017)

Information on Grayson Perry’s map etchings

Malani, N. (no date) Paintings. Available at: http://www.nalinimalani.com/painting.htm (Accessed: 17 October 2016).

Odehnal, M. (2011) Lia Perjovschi. Available at: http://monumenttotransformation.org/atlas-of-transformation/html/m/modernity/modernity-lia-perjovschi.html (Accessed: 30 January 2017).
Lia Perjovschi – mind maps and diagrams, installations. Interested in ways histories are constructed and in archives.

Rona Lee: Deep Sea Available at: http://www.ronalee.org/topics/deep-sea (Accessed: 9 November 2016).                                                                                                                                      Artist involved with Force 8

Rural artist residency – cape farewell – the cultural response to climate change (2014) Available at: http://www.capefarewell.com/latest/projects/rural-artist-residency.html (Accessed: 20 September 2016).

Radio

BBC (2016) 15/09/2016, the waterside ape – BBC radio 4. Available at: http://www.bbc.co.uk/programmes/b07v2ysg (Accessed: 15 September 2016).                     Re-examination of evolutionary theories based on idea of early man being marine based.

Exhibitions

Tate Modern Artist Rooms: Louise Bourgeois. October 2016.                                                 Particularly interested in ‘L’Infini drawings’.

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